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	<title>Comments on: Going the Extra Mile for Unique Timbres:  Part 2</title>
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	<link>http://nickstutorials.com/going-the-extra-mile-for-unique-timbres-part-2/</link>
	<description>A Comprehensive Ableton Live Tutorial Resource &#124; Ableton Live Video Tutorials</description>
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		<title>By: Nick</title>
		<link>http://nickstutorials.com/going-the-extra-mile-for-unique-timbres-part-2/#comment-133</link>
		<dc:creator>Nick</dc:creator>
		<pubDate>Wed, 05 May 2010 04:53:31 +0000</pubDate>
		<guid isPermaLink="false">http://nickstutorials.com/?p=878#comment-133</guid>
		<description>Tom,

Thanks for the extremely substantive reply!  I&#039;ll probably make a blog post out of it with full credit given to you of course.</description>
		<content:encoded><![CDATA[<p>Tom,</p>
<p>Thanks for the extremely substantive reply!  I&#8217;ll probably make a blog post out of it with full credit given to you of course.</p>
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		<title>By: Tom Oram</title>
		<link>http://nickstutorials.com/going-the-extra-mile-for-unique-timbres-part-2/#comment-132</link>
		<dc:creator>Tom Oram</dc:creator>
		<pubDate>Tue, 04 May 2010 11:52:06 +0000</pubDate>
		<guid isPermaLink="false">http://nickstutorials.com/?p=878#comment-132</guid>
		<description>With regards to the the &quot;Gate Combined with Effects Automation&quot; you can achieve a similar automated delay effect by using a side chained compressor on a send channel rather than using automation, the effect will sound a bit different but you may like it.

To do it basically send the channel you want the delay effect on to a send channel, put the delay on the send channel then follow it with a compressor, set the compressor to work on a sidechain from the channel which you have sent to it and set it to really squash the sound (high ratio, low threshold) and adjust the attack &amp; release to taste.</description>
		<content:encoded><![CDATA[<p>With regards to the the &#8220;Gate Combined with Effects Automation&#8221; you can achieve a similar automated delay effect by using a side chained compressor on a send channel rather than using automation, the effect will sound a bit different but you may like it.</p>
<p>To do it basically send the channel you want the delay effect on to a send channel, put the delay on the send channel then follow it with a compressor, set the compressor to work on a sidechain from the channel which you have sent to it and set it to really squash the sound (high ratio, low threshold) and adjust the attack &amp; release to taste.</p>
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		<title>By: ash</title>
		<link>http://nickstutorials.com/going-the-extra-mile-for-unique-timbres-part-2/#comment-131</link>
		<dc:creator>ash</dc:creator>
		<pubDate>Mon, 15 Feb 2010 00:22:21 +0000</pubDate>
		<guid isPermaLink="false">http://nickstutorials.com/?p=878#comment-131</guid>
		<description>While reading about the &#039;Gate Combined with Effects Automation&#039; I really wanted to hear a clip of the example you described, to put what I was reading about in context.

Also, I like the idea of a tips and tricks page in a format and layout similar to http://www.gotoandlearn.com/ where each video is 1-2 min long. The time limit keeps things focused and creates easily digestible chunks of learning.</description>
		<content:encoded><![CDATA[<p>While reading about the &#8216;Gate Combined with Effects Automation&#8217; I really wanted to hear a clip of the example you described, to put what I was reading about in context.</p>
<p>Also, I like the idea of a tips and tricks page in a format and layout similar to <a href="http://www.gotoandlearn.com/" rel="nofollow">http://www.gotoandlearn.com/</a> where each video is 1-2 min long. The time limit keeps things focused and creates easily digestible chunks of learning.</p>
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