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Sound Design in Ableton Live: Operator

FM Synthesis

FM synthesis represents an extremely powerful set of tools for creating your own sounds, and Ableton’s “Operator” instrument represents a well-thought-out entry into that world. Unfortunately, much of the instructional material relating to FM synthesis doesn’t really explain how it works in a way that doesn’t involve lots of math and theory while still showing how it can actually be used. My goal with this roughly 4 hour Ableton Live tutorial series was to fill that gap, showing the user through practical application just how amazing and yet easy to use FM synthesis can be.

Ableton Operator

The latest version of Operator, released alongside Live 8, allows the sound designer the ultimate flexibility in creating a timbre from virtually nothing, hand-shaping individual harmonic overtones to create amazingly rich sounds that can be further mixed through various algorithms. With this series, you can learn how to harness this power in a way that is both intuitive and creative. My video tutorials start you off with the basic theory of how sound is generated with fundamental frequencies and overtones, then moving from some basic sounds all the way through complex FM patches featuring tons of subtle modulation. The main goal here is not to teach you how to create one specific sound or another, but rather to show you through practical application how to create your own, personalized sounds. This knowledge will serve you far into the future, and will be applicable even beyond Operator and Ableton Live.

Please note: There is NO WAIT TIME involved when you purchase these videos. You will be given a link to download them immediately upon completion of your transaction!

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Some snippets from the series:

Here are just a few of the things you will learn to create through these videos:
  • DYNAMIC drumtracks being generated by just one Operator
  • DEEP bass instruments that work well in any mix
  • SIMULATIONS of the modified and abused devices from the world of circuit-bending
  • EXOTIC soundscapes that shimmer and morph over their playback
  • METALLIC percussion and stabs that are perfect for heavily rhythmic music such as Techno or Dubstep
  • ALIEN soundbeds that are just as useful in music as they are in movie soundtracks
Additionally, you’ll receive:
  • Easy to understand explanations of how timbres are built from harmonic and inharmonic overtones
  • Comprehensive coverage of Operator’s interface in a way that relates the parameters to one another in a sensible way
  • Screenshots of macro mappings so that you can easily follow along with creating the sounds in the video tutorials
  • Live 8 preset instrument racks containing the instruments created in the videos – great for reverse-engineering the sounds!
Total Run Time: 4 Hours
Level: Beginner to Advanced
Format: Quicktime (can also be played in the free VLC player)

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As I said with my first series, my methods are far from the only way to approach sound design. What I offer is a pretty comprehensive set of techniques aimed at creating practical as well as exotic sounds, additionally providing a very respectable knowledge of FM synthesis as applied in a practical context. FM synthesis is an insanely powerful and very intuitive way of shaping timbres and huge sounds, and my aim is to provide you with the knowledge to get you up and running with creating patches that blow mine out of the water!

Please keep in mind that these tutorials were created in Ableton Live version 8, relying on some Live 8-specific effects. Additionally, Operator 8 is used to create the patches. That being said, the meat of the series can applied to any version, so if you own the instrument in either version, you will benefit from almost everything present in the videos.

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    • Sound Design in Ableton Live: Sampling Tools
    • Sound Design in Ableton Live: Analog
    • Sound Design in Ableton Live: Operator
    • Sampling & Slicing in Ableton Live
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  • Testimonials

    Yo Nick, Just wanted to give you a little feed back on your 3 tutorials I recently bought……………………
    …… Fucking amazing!!!!!!!! 

I've spent atleast 500 dollars on tutorial dvds,  really they're all Bull shit lead you no where tutorials.  you give up great knowledge for the people who really want to make music and just have a hard time to get their creative process going. I chose to start making music because I really want to see change in our society……… along with the right to party!!!. 

Making music has been one of the toughest challenge I've ever faced. Some days I actually get bummed out because I feel like my music on my computer isn't sounding like the music in my head. Ever since I bought your tutorials it's all starting to come together. I'm able to have an idea and execute it. 

As a teacher and a mentor  thank you for releasing this knowledge =)

Best!

    Chris Keller
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